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The Junghans Watch

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This is a picture I took last week at the CSC – Sound and Music Computing Group – UNIPD in Padova.

The Junghans Watch was the one owned by Teresa Rampazzi. She and her teammates at the N.P.S. used it to synchronize every manual operation they needed to create an analogue electronic music experiment, an ‘oggetto sonoro’ (‘sound object’).

The ‘oggetti sonori’ were reminiscent of Schaefferian “Traité des objets musicaux” (Rampazzi was at the GRM in Paris and she had a copy of the Traité autographed by the author), but they were intended to be an evolution, and in fact they were purely synthesised, not concrete.

Laura Zattra

Italian Electronic Music Studios (1950s-60s-70s)

My presentation at the Muzeum Sztuki w Łodzi in collaboration with the Instytut Adama Mickiewicza, October 13-14 2017, at the “POLISH RADIO EXPERIMENTAL STUDIO” conference, is now online.

Italian Electronic Music Studios of the First and Second Generation (from the 1950s to the 1970s) with a focus on the the triangulation between the S 2F M (Florence), the SMET (Turin) and the NPS (Nuove Proposte Sonore, founded by Teresa Rampazzi and Ennio Chiggio) and their network with other European and International Studios: the IPEM in Ghent, the Electronic Music Studio at Brandeis University, the Polish Radio Experimental Studio in Warsaw, the Muzeum Sztuki in Łódź, the Studio of Electronic Music in Utrecht.