The book Between the Tracks-Musicians on Selected Electronic Music edited by Kerry Hagan and Miller Puckette is finally published!
My chapter focuses on the analysis of “Taras su tre dimensioni” [Taras on three dimensions], a work realized by Teresa Rampazzi in 1971-72 in the course of a transitional phase (her transition from the analogue to the computer music technology).
The approximately eleven-minutes work represents an unicum among Teresa Rampazzi’s repertoire. It is made from the juxtaposition of three typologies of sounds: analogue, concrete and computer made sounds, and is also the only piece in her catalogue which incorporates concrete sounds.
To know a little more about this unique piece, read (and listen) from my prevous post): http://www.teresarampazzi.it/2019/07/02/teresa-presenting-her-unique-concreteelectroniccomputer-music-piece-taras/